Often considered China's greatest poet, Du Fu (712-770) came of age at the height of the Tang dynasty, in an era marked by confidence that the accumulated wisdom of the precedent cultural tradition would guarantee civilization's continued stability and prosperity. When his society collapsed into civil war in 755, however, he began to question contemporary assumptions about the ...(展开全部)

Often considered China's greatest poet, Du Fu (712-770) came of age at the height of the Tang dynasty, in an era marked by confidence that the accumulated wisdom of the precedent cultural tradition would guarantee civilization's continued stability and prosperity. When his society collapsed into civil war in 755, however, he began to question contemporary assumptions about the ...(展开全部)

For centuries, Chinese critics have acclaimed Du Fu (712–770) as “China’s greatest poet.” He has exerted tremendous influence both as a model poet and as a cultural icon. In The Reception of Du Fu (712-770) and His Poetry in Imperial China, Ji Hao provides modern readers with a general picture of the reception of Du Fu and his work from the Song to the Qing. He also explores ma...(展开全部)

This six volume work is the first complete translation of the poetry of Du Fu, the greatest poet in the Chinese tradition. The entirety of Du Fu’s works provides a more nuanced portrait of the author than the standard selections. It gives testimony to the great rebellion of 755, but also poems on building a chicken coop and repairing bamboo plumbing. In the whole we discover ho...(展开全部)

This is the first collection of essays in English, contributed by well-known experts of Chinese literature as well as scholars of a younger generation, dedicated to the poetry of Du Fu, commonly regarded as the greatest Chinese poet. These essays are engaged in historically nuanced close reading of Du Fu’s poems, both canonical and less known, from new angles and in various con...(展开全部)

雷德侯 1942年12月7日出生于慕尼黑。 1961-1969年在科函授生 、波恩、巴黎、台北、海德堡等地学习东亚艺术、欧洲艺术、汉学、日本学。 1969年以《清代的篆书》论文获海德堡大学东亚艺术史博士，随后至美国普林斯顿大学、哈佛大学修学。 1975-1976年供职于柏林国立博物馆、东亚艺术博物馆，1976年在科隆大学任教授，同年执教于海德堡大学东亚艺术史系，任系主任兼艺术史研究所所长，1978年任哲学历史学院院长。 雷德侯还是德国东方学会会长、柏林学术院院士、德意志考古研究所通讯员、海德堡学术院院士、英国学术院通讯院士。曾任剑桥、芝加哥、台湾大学客座教授或特约研究员。 其主持的展览有紫禁城的珍宝、兵马俑大军，日本与欧洲，中国明清绘画等。著《米蒂与中国书法的古典传统》、《兰与石——柏林东亚艺术博物馆藏中国书画》，《万物》于2002年获列文森图书奖。...(展开全部)

Let us now imagine that some administrative authority, as far superior in power and intelligence to men, as men are to their cattle, is set over the colony, charged to deal with its human elements in such a manner as to assure the victory of the settlement over the antagonistic influences of the state of nature in which it is set down. He would proceed in the same fashion as th...(展开全部)

Ethics and Language is a 1944 book by C. L. Stevenson which was influential in furthering the metaethical view of emotivism first espoused by A. J. Ayer. Yale University, where Stevenson lectured, did not approve of the contents of the book, as a result his lecture position was not renewed.

理查德•斯坦利•彼得斯(Richard Stanley Peters,1919-2011)，英国伦敦大学教育学院教育哲学教授，曾任伦敦大学教育学院院长和不列颠教育哲学学会主席，是英国分析教育哲学代表人物和“伦敦学派”领军人物。著述颇丰，《伦理学与教育》是他的分析教育哲学代表作。 朱镜人(1949- )，合肥师范学院教授，安徽大学、安徽新华学院兼职教授。英国伦敦大学访问学者和布利斯托尔大学高级访问学者。主要从事外国教育史和比较教育学教学和研究。已出版《英国教育思想之演进》等专著、译著，发表论文90余篇。